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Love Through the Looking Glass: Taylor Swift and Referencing the Self

“Lookin’ backwards/ might be the only way to move forward”—Taylor Swift, “The Manuscript”. “It’s a poor sort of memory that only works backwards”—Lewis Carroll, “Through the Looking Glass and What...

Peter Cat R.C.: The Art of Indie Reinvention

Life at the end of 2024 is a strange mix of relying on AI to run your intellectual chores while wondering whether it’ll replace...

No Goodbye

From my early childhood Lenny Myers was my best friend as I grew up in Post-War Rushden, Northamptonshire where we had both been born....

Notes and Notions with Elysia Biro

Canadian singer-songwriter Elysia Biro's approach to writing music sidesteps the predictable, in just the right measure. Her work weaves together jazz, soul, and pop,...

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Yuvraj Nathani

Yuvraj Nathani is Founding Editor at ALMA Magazine. For more, follow him here.

Peter Cat R.C.: The Art of Indie Reinvention

Life at the end of 2024 is a strange mix of relying on AI to run your intellectual chores while wondering whether it’ll replace...

‘THE CAR’ by the Arctic Monkeys

  To entertain, in some way, is to surprise, to question, to tease, and even to ruffle. The Car, Arctic Monkeys’ seventh LP, does all...

Season 6: A Pesky Peaky Compromise?

  Disclaimer: Contains major spoilers for Season 6 of Peaky Blinders “It means you f*** people. F*** people over. Don’t give a f***. It means you covet...

City Lights

"It’s quite fine, you suddenly notice—the panoramic view, the Calacatta marble, the artwork, the baby grand. It is what you’d always wanted, but you don’t cherish it one bit."

Editor’s Note, Fall 2020

"In a time both chaotic and quiet, what must fine writing be about?" A hesitant Founding Editor's Note, by Yuvraj Nathani.

The Fate of Western Classical Music

From pandemic-borne havoc to systemic problems the industry must overcome
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